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on audiovisual translation, subtitling, and the French & American film industries

Personal Sidebar: ‘Any Day Now’

Garret Dillahunt and Alan Cumming in "Any Day Now"As awards season starts in earnest, this is possibly the best movie most people won’t see.  Because it’s an honest and vivid LGBT filmidiotically rated “R” as if to equate gay male sexuality with extreme violence (more than entire blog’s worth of suggestive content, that)–made with a miniscule budget, and has a timely, heartfelt story with no tentpoley gimmicks.

This terrific, warm and entertaining movie, though it miraculously escaped direct-to-Netflix obscurity, is nevertheless bound for nowhere, fame-wise.  That is, unless people take notice, and more importantly award voters and related trendalistas (OK I just made that word up, in English anyway).

Even major talent is venting about the dearth of risky, story-driven content.  Can the day be far off when, like winter and unextreme weather, human and humane films are something from another era?

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Filed under: divers, US film industry, , , ,

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